Main points in fiction | Main ideas and supporting details | Achievable Praxis Core: Reading (5713)

Main points in fiction

Even though fiction passages usually aren’t as clearly structured as nonfiction passages, they often center on a moment of change - something shifts in a character, a setting, or the overall mood. As you read, watch for that turning point.

For example:
This passage is taken from Jane Eyre by Charlotte Brontë, found at Project Gutenberg. Jane and Rochester are about to get married when the ceremony is disrupted.

"I require and charge you both (as ye will answer at the dreadful day of judgment, when the secrets of all hearts shall be disclosed), that if either of you know any impediment why ye may not lawfully be joined together in matrimony, ye do now confess it; for be ye well assured that so many as are coupled together otherwise than God’s Word doth allow, are not joined together by God, neither is their matrimony lawful.

"He paused, as the custom is. When is the pause after that sentence ever broken by reply? Not, perhaps, once in a hundred years. And the clergyman, who had not lifted his eyes from his book, and had held his breath but for a moment, was proceeding: his hand was already stretched towards Mr. Rochester, as his lips unclosed to ask, “Wilt thou have this woman for thy wedded wife?” - when a distinct and near voice said - “The marriage cannot go on: I declare the existence of an impediment.”

Here, the key change - the new idea that Jane and Rochester can’t marry - is introduced through a rhetorical question: “When is the pause after that sentence ever broken by reply?” The narrator suggests it almost never happens, and then immediately shows that this is the rare exception. The silence is broken, and the marriage does not take place.

Predicting the audience or title of a passage

Some questions ask you to choose the best title for a passage or to predict the passage’s likely audience. When you see questions like these, use clues from the passage to narrow your answer. Consider these questions:

The purpose of the passage. Was it written to inform, persuade, entertain, or challenge readers?
The author’s point of view about the topic.
The author’s tone. Is it serious or amusing? Sincere or cynical?
The probable age, location, profession, and interests of readers for whom the passage is intended.
Any assumptions about the topic that readers might have.

Here’s an example:

This passage is from The Schartz-Metterklume Method by Saki, found at Project Gutenberg. Lady Carlotta has just missed a train.

Before she had time to think what her next move might be she was confronted by an imposingly attired lady, who seemed to be taking a prolonged mental inventory of her clothes and looks.

“You must be Miss Hope, the governess I’ve come to meet,” said the apparition, in a tone that admitted of very little argument.

“Very well, if I must I must,” said Lady Carlotta to herself with dangerous meekness.

“I am Mrs. Quabarl,” continued the lady; “and where, pray, is your luggage?”

“It’s gone astray,” said the alleged governess, falling in with the excellent rule of life that the absent are always to blame; the luggage had, in point of fact, behaved with perfect correctitude. “I’ve just telegraphed about it,” she added, with a nearer approach to truth.

“How provoking,” said Mrs. Quabarl; “these railway companies are so careless. However, my maid can lend you things for the night,” and she led the way to her car.

What is the tone of the passage?

a, Comic
b. Serious
c. Pedantic
d. Dramatic
e. Realistic

(spoiler)

Answer: a. Comic is correct because the language of the passage is lighthearted. Lady Carlotta pretends to be someone else, and the situation is set up for amusing consequences.

b. Serious is incorrect. Lady Carlotta isn’t upset about missing the train, and the phrase “dangerous meekness” suggests she’s playing along in a way that will lead to humor.

c. Pedantic is incorrect because it means overly focused on minor details in a dull or lecturing way. This passage moves quickly and relies on an unexpected misunderstanding rather than careful explanation.

d. Dramatic is incorrect because it suggests high seriousness or intense emotion. The passage is too playful and ironic to be dramatic.

e. Realistic is incorrect because the exaggerated descriptions and the ironic commentary about the luggage show that the story is meant to poke fun at people and situations, not to present ordinary life in a straightforward way.